HIGH LEVEL MAGIC BY SIMON<\/b>
\nForbidden Illusions for Open Minds<\/p>\n
READ AT YOUR OWN RISK:<\/b>
\nTHIS BOOK WILL MAKE YOUR MAGIC DANGEROUS IN REAL LIFE.
\nSome things are better experienced than explained.
\nSome moments are not meant to be repeated.
\nThis is not about performance.
\nThis is about interference.<\/p>\n
WHAT THIS BOOK IS<\/b>
\nMost magic books teach tricks for perfect conditions.
\nQuiet rooms. Seated audiences. Controlled environments.
\nThis one teaches you how to hunt in the wild.
\nLet’s get one thing straight:
\nThis is not another collection of “cool effects.”
\nIt’s not theory you’ll never use.
\nIt’s not material that only works when everything goes right.
\nHigh Level Magic is a field manual – Sharp, practical, and uncompromising – for performers who want their magic to hit hard when it matters most.
\nNot on stage.
\nNot in a studio.
\nIn real life.
\nWhere people are distracted.
\nWhere attention is unstable.
\nWhere reactions are genuine.
\nAnd where ordinary objects become extraordinary illusions.
\nThis book isn’t for hobbyists hunting for applause.
\nIt’s for performers who want to create moments that break reality in unpredictable environments.
\nIf that’s you – keep reading.<\/p>\n
A GLIMPSE INTO A DIFFERENT UNIVERSE<\/b>
\nEvery book I write exists in its own universe, and what you’re about to read is a glimpse into one of them.
\nThis is not a collection of tricks. It is a body of work built around moments that feel unstable, unexpected, and real in a way they shouldn’t.
\nMost of these effects rely on everyday objects – Lighters, cigarettes, coins, leaves, borrowed items. Nothing is unnecessarily complex, but everything has been shaped with intention and real-world use in mind.
\nThis is not about showing skill.
\nIt is about creating moments that people cannot fully process, even when they try.<\/p>\n
MAGIC RARELY HAPPENS UNDER IDEAL CONDITIONS<\/b>
\nIn real environments, people are distracted, engaged in conversations, moving around, and only partially paying attention.
\nThat is exactly where this material is meant to exist.
\nYou are not performing for a seated audience.
\nYou are stepping into an ongoing situation and shifting it.
\nTo do that effectively, technique alone is not enough.
\nControl over attention becomes essential.
\nThis kind of work depends on timing, awareness, and restraint.
\nKnowing when to act is often more important than how.
\nIn many cases, doing less creates a stronger and more believable moment.
\nThe effects in this book were designed to function under these conditions. They are direct, adaptable, and built for real-time performance.<\/p>\n
THE EXPERIENCES INSIDE<\/b><\/p>\n
1. LOLLIPOP<\/b>
\nYou open a gum wrapper. The paper falls to the floor.
\nSomething’s wrong, isn’t it? The wrapper floats back up to your hand. You bring it to a flame. A burst of fire.
\nAnd from nowhere – a lollipop appears.
\nVisual. Engaging. The perfect opener.
\nWomen and children will love this trick. Not because it’s simple. Because it’s magical in a way that transcends technique.<\/p>\n
2. HIGH LEAVES<\/b>
\nA reinvention of the classic sponge balls. With leaves.
\nYou take two leaves. Place one in the spectator’s hand.
\nOne in yours. They teleport. Yours vanishes – the spectator now has two. You pluck an invisible leaf from the air.
\nNow they have three. You take all three leaves. Close your hand. How many are there? All of them vanish.
\nNo gimmicks. No special objects. Just leaves picked from the environment. Organic magic at its limit.<\/p>\n
3. DEVIL’S CAP<\/b>
\nMultiple bottle caps are placed on the table. You turn your back. The spectator hides a signed object under any cap.
\nThey mix them. You turn around. You find it immediately.
\nEvery time.
\nNo electronics. No secret assistants. No sleight of hand.
\nBar magic meets strong mentalism.
\nCommon objects. Impossible precision.<\/p>\n
4. PICKPOCKETING<\/b>
\nA spectator chooses a card. They keep it with them the entire time. Suddenly – your phone rings. Who is it?
\nThe deck is calling. And it tells you exactly which card they chose.
\nThe craziest part? That’s their phone. Pickpocketing meets mentalism in a combination you’ve never seen. It will leave your spectator absolutely destroyed.<\/p>\n
5. SMOKED COIN<\/b>
\nYou hold a coin. Smoke rises from your hand.
\nIt vanishes completely. And reappears under the spectator’s watch.
\nThe smoke doesn’t come from a secret gimmick.
\nIt comes from the environment itself. A cigarette.
\nA cigar. A blunt. The coin didn’t simply disappear.
\nIt traveled.<\/p>\n
6. VANISHING LIGHTER & CIGARETTE<\/b>
\nYou show the lighter with a clean display. It vanishes completely. You grab the cigarette. It vanishes too.
\nBoth reappear wherever you want them to.
\nBonus version: You light the lighter. You bring it to the cigarette. A flash of fire. Both vanish simultaneously.
\nPure visual destruction.<\/p>\n
7. LAST SMOKE (RISING CARD)<\/b>
\nA card is chosen and returned to the deck. The deck goes back inside its box. The spectator holds it. The card rises from the middle.
\nNo invisible threads. No electronics.
\nNext level: The card rises & disintegrates in the air… And reappears inside the cigarette the spectator has been holding the entire time.
\nAn illusion with multiple layers. It’s up to you to decide how far to go.<\/p>\n
ROUTINES & FLOW<\/b>
\nMost magic books teach individual tricks.
\nStandalone moments. Isolated events. Things that happen and then end.
\nThat’s not how real performance works.
\nThis chapter isn’t about tricks. It’s about architecture.<\/p>\n
You’ll learn:<\/b><\/p>\n Plus three complete routines:<\/b><\/p>\n Fire takes. Fire gives back.**<\/p>\n REAL PSYCHOLOGY<\/b> AND THAT’S NOT ALL<\/b><\/p>\n You’ll also discover:<\/p>\n THIS BOOK IS NOT SAFE<\/b> Most magicians avoid these situations. WHO THIS BOOK IS FOR<\/b> THE EFFECT THIS BOOK CREATES<\/b> FINAL WARNING<\/b> HIGH LEVEL MAGIC<\/b> HIGH LEVEL MAGIC BY SIMON Forbidden Illusions for Open Minds READ AT YOUR OWN RISK: THIS BOOK WILL MAKE YOUR MAGIC DANGEROUS IN REAL LIFE. Some things are better experienced\u2026<\/p>\n","protected":false},"featured_media":82648,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[3405],"product_cat":[1587,3419],"product_tag":[1626],"class_list":["post-82647","product","type-product","status-publish","has-post-thumbnail","product_brand-airton-saimon-pedra-santos","product_cat-close-up-performer","product_cat-ebook","product_tag-new","first","instock","virtual","taxable","purchasable","product-type-simple"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product\/82647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/comments?post=82647"}],"version-history":[{"count":0,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product\/82647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/media\/82648"}],"wp:attachment":[{"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/media?parent=82647"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product_brand?post=82647"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product_cat?post=82647"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/strixmagic.shop\/en\/wp-json\/wp\/v2\/product_tag?post=82647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\n
\nAttention. Perception. Timing.
\nThe Invisible Architecture of Magic.
\nMost performers focus on technique. The moves. The methods.
\nThe mechanics. That’s only half of what makes magic work.
\nThe other half happens inside the spectator’s mind** -without their awareness, without their permission.
\nThis chapter is about that invisible architecture.
\nNot theory. Not philosophy. Real systems you can use in real time.<\/p>\n\n
\n
\nIt wasn’t designed to be.
\nIt was designed for moments where:<\/p>\n\n
\nThey prefer controlled environments.
\nThis is for those who hunt in the wild.<\/p>\n
\nThis is for the performer who wants to walk into any situation – party, bar, street, living room – and shift reality in seconds.
\nIt’s for magicians who want to stop performing “tricks” and start creating moments that feel different.
\nIf you want safe, easy material… you won’t find it here.
\nIf you want to build a repertoire that works when it counts… this is the guide you’ve been waiting for.<\/p>\n
\nAfter this book, your magic won’t feel like “tricks.”
\nIt will feel like real moments of impossibility.
\nYour openers will hook.
\nYour closers will stay.
\nYour control over attention will become invisible.
\nPeople won’t just clap.
\nThey’ll question what just happened.
\nFor days.<\/p>\n
\nThis book won’t make you a magician if you aren’t willing to think.
\nIt won’t work in real life unless you’re willing to get your hands dirty.
\nIt won’t give you control if you don’t build it.
\nBut if you’re ready for the level where technique isn’t enough – where timing, awareness, and restraint separate you from everyone else
\nWelcome to High Level Magic<\/b>.
\nDon’t say I didn’t warn you.<\/p>\n
\nForbidden Illusions for Open Minds
\nWhere ordinary objects become extraordinary illusions.<\/p>\n","protected":false},"excerpt":{"rendered":"